Tanda: Difference between revisions

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*** [[Peter Wenger]]
*** [[Peter Wenger]]
*** [[Ben Bogart]] (mostly, or I [Ben] conceive it as T4-T4-V3-T4-T4-M3), but certain venues or events lend themselves more to T3-T3-M3-T3-T3-V3.  
*** [[Ben Bogart]] (mostly, or I [Ben] conceive it as T4-T4-V3-T4-T4-M3), but certain venues or events lend themselves more to T3-T3-M3-T3-T3-V3.  
*** [[Ira Goldstein]]
**T5-M3-T5-V3  
**T5-M3-T5-V3  
***[[Miguel Jahnel]] in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-M3-T6-V3 without cortinas. In BsAs T4-T4-M4-T4-T4-V4
***[[Miguel Jahnel]] in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-M3-T6-V3 without cortinas. In BsAs T4-T4-M4-T4-T4-V4

Revision as of 2008-06-02T18:41:27

Overview

A tanda is a set of pieces of music, usually between three or five, that is played during a milonga. Most common the music is a tango, a milonga or a vals. Between two tandas a cortina might be played.

One way of arranging the music could be like the following:

  1. four tangos - cortina
  2. three milongas - cortina
  3. four tangos - cortina
  4. three vals - cortina

This could be notated as T4-M3-T4-V3.

Tandas can be arranged by orchestra, by lyrics, by time of recording, by "feel" of the music. In a tanda of tango it is common to play only music of one orchestra.

Sometimes also non-tango tandas are played, like Rock n roll, Cumbia, Chacarera.

schemes

Links