2009-01-03 tanda schemes: Difference between revisions
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[[ | ==Overview== | ||
This page lists some systems used to structure the music at a milonga. The data was added this page between 2008-12-02 and 2009-01-03 and mostly based on messages in the [[Yahoogroup TangoDJ]]. | |||
See also | |||
* [[tanda]] | |||
* [[tanda publishing]] | |||
==T-T-V-T-T-M== | ==T-T-V-T-T-M== | ||
===T3-T3-V3-T3-T3-M3=== | |||
** [[Ricardo Grünewald]] | ( 3 songs each ) | ||
* [[Chris Jordan]] | |||
* [[Ricardo Grünewald]] | |||
* [[Fredi Lienhardt]] http://groups.yahoo.com/group/TangoDJ/message/4589 | |||
* Don Juan - Italy | |||
* [[Astrid Weiske]] mostly that scheme - replacing traditional tanda and play alternativ/electro depends on venue and atmosphare | |||
* [[Tobias Conradi]] ([[User:Tobiasco/tandas]], sometimes 2 for real non-tango, i.e. Salsa) | |||
* [[Steve Morrall]] (mostly) | |||
* [[Njaal Bendixen]] (except for one neo tanda) | |||
* [[Wayne Jacobsen]] - if I sub an Alternative tanda it's A2 | |||
* [[Geoff Walker]], but also T3-V3-T3-M3 | |||
* [[Gulden Ozen]], also T3-T3-V3-A1-T3-T3-M3-A1 | |||
* [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing | |||
* [[David Chayes]] or also: T3-V3-T3-T3-M3-T3-T3-M3 | |||
* [[Jackie Ling Wong]] ... in my home community because of the number of followers. other times, i have used T4 T4 V3 T4 T4 M3. i have also experimented with T3 T3 V3 T3 M3 with some success if the community really likes milonga and vals. when i play alternative sets, i replace a traditional tanda... for example AltT3 T3 V3 T3 T3 M3 or T3 T3 AltV3 T3 T3 M3 | |||
===T3-T3-V3-A1-T3-T3-M3-A1=== | |||
* [[Gulden Ozen]] | |||
===T3-T3-V3-T3-T3-M3-T3-T3-A=== | |||
* [[Bob Barnes]] T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes. | |||
===T4-T4-V3-T4-T4-M3=== | |||
( 4 songs for tango, 3 songs for vals and milonga) | |||
* [[Tine Herreman]] http://groups.yahoo.com/group/TangoDJ/message/4586 , but also T4-V3-T4-M3 | |||
* [[Leonardo Beker-Gomez]] (mostly this scheme) | |||
* [[Peter Wenger]] | |||
* [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing. | |||
* [[Ben Bogart]] (mostly, or I [Ben] conceive it as T4-T4-V3-T4-T4-M3), but certain venues or events lend themselves more to T3-T3-V3-T3-T3-M3. | |||
* [[Ira Goldstein]] | |||
* [[Lars Hellemo]] Mainly, also T4-V3-T4-M3 | |||
===T4-T4-V4-T4-T4-M4=== | |||
*[[Miguel Jahnel]]: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3 | |||
*[[Victor Hugo Sanchez]] | |||
*[[Harry Wohlfart]]: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3 | |||
===T4-T4-V4-T4-T4-M3=== | |||
( 4 songs, except milonga: 3 songs) | |||
*[[Thorsten Zörner]] http://groups.yahoo.com/group/TangoDJ/message/5052 | |||
*[[Sabah Chammas]] | |||
*[[Tom Stermitz]] T4-T4-V4-T4-T4-M3 , A longer evening: T5-T5-V4-T5-T5-M3, a house party: T3-V3-T3-T3-M2 (approximately) | |||
*[[Alex Long]] T4-T4-V4-T4-T4-M3; small or house milongas: T3-T3-V3-T3-T3-M2; Primarily Trad/Guardia Vieja, but with a sizeable collection of Alt/Nuevo if the event merits it ... Cortinas always - 25-45 seconds | |||
===T-T-V-T-T-M other=== | |||
unknowkn or varying length (review at another time) | |||
* [[Stephen Brown]] : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer. | |||
* [[Dubravko Kakarigi]] : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda. | |||
==T-T-V-T-M== | ==T-T-V-T-M== | ||
===T4-T4-V4-T4-M3=== | |||
*[[Andy Kamienski]] at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening | |||
==T-V-T-M== | ==T-V-T-M== | ||
===T3-V3-T3-M3=== | |||
*[[Geoff Walker]] but also T3-T3-V3-T3-T3-M3 | |||
===T5-V3-T5-M3=== | |||
*[[Miguel Jahnel]] in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4 | |||
===T4-V3-T4-M3=== | |||
*[[Tine Herreman]] - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3. | |||
==T-T-V-T-M== | ==T-T-V-T-M== | ||
===T4-T4-V3-T4-M3=== | |||
*[[Aydogan Arkis]] Loop this structure, 2-3 Electronico / alternative music per night. | |||
== | ==T-V-T-T-M-T-T-M== | ||
===T3-V3-T3-T3-M3-T3-T3-M3=== | |||
* | *[[David Chayes]] but also T3-T3-V3-T3-T3-M3 | ||
==T-T-T-M-T-V== | |||
reported at http://groups.yahoo.com/group/TangoDJ/message/4588 |
Latest revision as of 2015-05-31T20:48:57
Overview
This page lists some systems used to structure the music at a milonga. The data was added this page between 2008-12-02 and 2009-01-03 and mostly based on messages in the Yahoogroup TangoDJ.
See also
T-T-V-T-T-M
T3-T3-V3-T3-T3-M3
( 3 songs each )
- Chris Jordan
- Ricardo Grünewald
- Fredi Lienhardt http://groups.yahoo.com/group/TangoDJ/message/4589
- Don Juan - Italy
- Astrid Weiske mostly that scheme - replacing traditional tanda and play alternativ/electro depends on venue and atmosphare
- Tobias Conradi (User:Tobiasco/tandas, sometimes 2 for real non-tango, i.e. Salsa)
- Steve Morrall (mostly)
- Njaal Bendixen (except for one neo tanda)
- Wayne Jacobsen - if I sub an Alternative tanda it's A2
- Geoff Walker, but also T3-V3-T3-M3
- Gulden Ozen, also T3-T3-V3-A1-T3-T3-M3-A1
- Michael Lavocah T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing
- David Chayes or also: T3-V3-T3-T3-M3-T3-T3-M3
- Jackie Ling Wong ... in my home community because of the number of followers. other times, i have used T4 T4 V3 T4 T4 M3. i have also experimented with T3 T3 V3 T3 M3 with some success if the community really likes milonga and vals. when i play alternative sets, i replace a traditional tanda... for example AltT3 T3 V3 T3 T3 M3 or T3 T3 AltV3 T3 T3 M3
T3-T3-V3-A1-T3-T3-M3-A1
T3-T3-V3-T3-T3-M3-T3-T3-A
- Bob Barnes T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.
T4-T4-V3-T4-T4-M3
( 4 songs for tango, 3 songs for vals and milonga)
- Tine Herreman http://groups.yahoo.com/group/TangoDJ/message/4586 , but also T4-V3-T4-M3
- Leonardo Beker-Gomez (mostly this scheme)
- Peter Wenger
- Michael Lavocah T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing.
- Ben Bogart (mostly, or I [Ben] conceive it as T4-T4-V3-T4-T4-M3), but certain venues or events lend themselves more to T3-T3-V3-T3-T3-M3.
- Ira Goldstein
- Lars Hellemo Mainly, also T4-V3-T4-M3
T4-T4-V4-T4-T4-M4
- Miguel Jahnel: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
- Victor Hugo Sanchez
- Harry Wohlfart: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3
T4-T4-V4-T4-T4-M3
( 4 songs, except milonga: 3 songs)
- Thorsten Zörner http://groups.yahoo.com/group/TangoDJ/message/5052
- Sabah Chammas
- Tom Stermitz T4-T4-V4-T4-T4-M3 , A longer evening: T5-T5-V4-T5-T5-M3, a house party: T3-V3-T3-T3-M2 (approximately)
- Alex Long T4-T4-V4-T4-T4-M3; small or house milongas: T3-T3-V3-T3-T3-M2; Primarily Trad/Guardia Vieja, but with a sizeable collection of Alt/Nuevo if the event merits it ... Cortinas always - 25-45 seconds
T-T-V-T-T-M other
unknowkn or varying length (review at another time)
- Stephen Brown : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
- Dubravko Kakarigi : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.
T-T-V-T-M
T4-T4-V4-T4-M3
- Andy Kamienski at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening
T-V-T-M
T3-V3-T3-M3
- Geoff Walker but also T3-T3-V3-T3-T3-M3
T5-V3-T5-M3
- Miguel Jahnel in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4
T4-V3-T4-M3
- Tine Herreman - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.
T-T-V-T-M
T4-T4-V3-T4-M3
- Aydogan Arkis Loop this structure, 2-3 Electronico / alternative music per night.
T-V-T-T-M-T-T-M
T3-V3-T3-T3-M3-T3-T3-M3
- David Chayes but also T3-T3-V3-T3-T3-M3
T-T-T-M-T-V
reported at http://groups.yahoo.com/group/TangoDJ/message/4588