2009-01-03 tanda schemes: Difference between revisions

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[[category:DJing]]
==Overview==
some schemes  for tandas
This page lists some systems used to structure the music at a milonga. The data was added this page between 2008-12-02 and 2009-01-03 and mostly based on messages in the [[Yahoogroup TangoDJ]].
 
See also
* [[tanda]]
* [[tanda publishing]]


==T-T-V-T-T-M==
==T-T-V-T-T-M==
*T3-T3-V3-T3-T3-M3 ( 3 songs each )
===T3-T3-V3-T3-T3-M3===
** [[Chris Jordan]]
( 3 songs each )
** [[Ricardo Grünewald]]
* [[Chris Jordan]]
** [[Fredi Lienhardt]] http://groups.yahoo.com/group/TangoDJ/message/4589
* [[Ricardo Grünewald]]
** Don Juan - Italy
* [[Fredi Lienhardt]] http://groups.yahoo.com/group/TangoDJ/message/4589
** [[Astrid Weiske]] mostly that scheme - replacing traditional tanda and play alternativ/electro depends on venue and atmosphare   
* Don Juan - Italy
** [[Tobias Conradi]] ([[User:Tobiasco/tandas]], sometimes 2 for real non-tango, i.e. Salsa)
* [[Astrid Weiske]] mostly that scheme - replacing traditional tanda and play alternativ/electro depends on venue and atmosphare   
** [[Steve Morrall]] (mostly)
* [[Tobias Conradi]] ([[User:Tobiasco/tandas]], sometimes 2 for real non-tango, i.e. Salsa)
** [[Njaal Bendixen]] (except for one neo tanda)
* [[Steve Morrall]] (mostly)
** [[Wayne Jacobsen]] - if I sub an Alternative tanda it's A2
* [[Njaal Bendixen]] (except for one neo tanda)
** [[Geoff Walker]], but also T3-V3-T3-M3
* [[Wayne Jacobsen]] - if I sub an Alternative tanda it's A2
** [[Gulden Ozen]], also T3-T3-V3-A1-T3-T3-M3-A1
* [[Geoff Walker]], but also T3-V3-T3-M3
** [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing
* [[Gulden Ozen]], also T3-T3-V3-A1-T3-T3-M3-A1
** [[David Chayes]] or also: T3-V3-T3-T3-M3-T3-T3-M3
* [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing
** [[Jackie Ling Wong]] ... in my home community because of the number of followers. other times, i have used T4 T4 V3 T4 T4 M3. i have also experimented with T3 T3 V3 T3 M3 with some success if the community really likes milonga and vals. when i play alternative sets, i replace a traditional tanda... for example AltT3 T3 V3 T3 T3 M3 or T3 T3 AltV3 T3 T3 M3
* [[David Chayes]] or also: T3-V3-T3-T3-M3-T3-T3-M3
*T3-T3-V3-A1-T3-T3-M3-A1
* [[Jackie Ling Wong]] ... in my home community because of the number of followers. other times, i have used T4 T4 V3 T4 T4 M3. i have also experimented with T3 T3 V3 T3 M3 with some success if the community really likes milonga and vals. when i play alternative sets, i replace a traditional tanda... for example AltT3 T3 V3 T3 T3 M3 or T3 T3 AltV3 T3 T3 M3
** [[Gulden Ozen]]
===T3-T3-V3-A1-T3-T3-M3-A1===
*T3-T3-V3-T3-T3-M3-T3-T3-A
* [[Gulden Ozen]]
** [[Bob Barnes]] T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.
===T3-T3-V3-T3-T3-M3-T3-T3-A===
*T4-T4-V3-T4-T4-M3 ( 4 songs for tango, 3 songs for vals and milonga)
* [[Bob Barnes]] T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.
** [[Tine Herreman]] http://groups.yahoo.com/group/TangoDJ/message/4586 , but also T4-V3-T4-M3
===T4-T4-V3-T4-T4-M3===
** [[Leonardo Beker-Gomez]] (mostly this scheme)
( 4 songs for tango, 3 songs for vals and milonga)
** [[Peter Wenger]]
* [[Tine Herreman]] http://groups.yahoo.com/group/TangoDJ/message/4586 , but also T4-V3-T4-M3
** [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing.
* [[Leonardo Beker-Gomez]] (mostly this scheme)
** [[Ben Bogart]] (mostly, or I [Ben] conceive it as T4-T4-V3-T4-T4-M3), but certain venues or events lend themselves more to T3-T3-V3-T3-T3-M3.  
* [[Peter Wenger]]
** [[Ira Goldstein]]
* [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing.
** [[Lars Hellemo]] Mainly, also T4-V3-T4-M3
* [[Ben Bogart]] (mostly, or I [Ben] conceive it as T4-T4-V3-T4-T4-M3), but certain venues or events lend themselves more to T3-T3-V3-T3-T3-M3.  
*T4-T4-V4-T4-T4-M4
* [[Ira Goldstein]]
**[[Miguel Jahnel]]: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
* [[Lars Hellemo]] Mainly, also T4-V3-T4-M3
**[[Victor Hugo Sanchez]]
===T4-T4-V4-T4-T4-M4===
**[[Harry Wohlfart]]: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3
*[[Miguel Jahnel]]: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
*T4-T4-V4-T4-T4-M3 ( 4 songs, except milonga: 3 songs)
*[[Victor Hugo Sanchez]]
**[[Thorsten Zörner]] http://groups.yahoo.com/group/TangoDJ/message/5052
*[[Harry Wohlfart]]: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3
**[[Sabah Chammas]]
===T4-T4-V4-T4-T4-M3===
**[[Tom Stermitz]] T4-T4-V4-T4-T4-M3 , A longer evening: T5-T5-V4-T5-T5-M3, a house party: T3-V3-T3-T3-M2 (approximately)
( 4 songs, except milonga: 3 songs)
**[[Alex Long]] T4-T4-V4-T4-T4-M3; small or house milongas: T3-T3-V3-T3-T3-M2; Primarily Trad/Guardia Vieja, but with a sizeable collection of Alt/Nuevo if the event merits it ... Cortinas always - 25-45 seconds
*[[Thorsten Zörner]] http://groups.yahoo.com/group/TangoDJ/message/5052
* unknowkn or varying length (review at another time)
*[[Sabah Chammas]]
** [[Stephen Brown]] : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
*[[Tom Stermitz]] T4-T4-V4-T4-T4-M3 , A longer evening: T5-T5-V4-T5-T5-M3, a house party: T3-V3-T3-T3-M2 (approximately)
** [[Dubravko Kakarigi]] : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.
*[[Alex Long]] T4-T4-V4-T4-T4-M3; small or house milongas: T3-T3-V3-T3-T3-M2; Primarily Trad/Guardia Vieja, but with a sizeable collection of Alt/Nuevo if the event merits it ... Cortinas always - 25-45 seconds
===T-T-V-T-T-M other===
unknowkn or varying length (review at another time)
* [[Stephen Brown]] : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
* [[Dubravko Kakarigi]] : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.


==T-T-V-T-M==
==T-T-V-T-M==
*T4-T4-V4-T4-M3
===T4-T4-V4-T4-M3===
**[[Andy Kamienski]] at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening
*[[Andy Kamienski]] at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening
==T-V-T-M==
==T-V-T-M==
*T3-V3-T3-M3
===T3-V3-T3-M3===
**[[Geoff Walker]] but also T3-T3-V3-T3-T3-M3
*[[Geoff Walker]] but also T3-T3-V3-T3-T3-M3
*T5-V3-T5-M3  
===T5-V3-T5-M3===
**[[Miguel Jahnel]] in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4
*[[Miguel Jahnel]] in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4
*T4-V3-T4-M3  
===T4-V3-T4-M3===
**[[Tine Herreman]] - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.
*[[Tine Herreman]] - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.
==T-T-V-T-M==
==T-T-V-T-M==
*T4-T4-V3-T4-M3
===T4-T4-V3-T4-M3===
**[[Aydogan Arkis]] Loop this structure, 2-3 Electronico / alternative music per night.
*[[Aydogan Arkis]] Loop this structure, 2-3 Electronico / alternative music per night.
==other==
==T-V-T-T-M-T-T-M==
*T3-V3-T3-T3-M3-T3-T3-M3
===T3-V3-T3-T3-M3-T3-T3-M3===
**David Chayes but also T3-T3-V3-T3-T3-M3
*[[David Chayes]] but also T3-T3-V3-T3-T3-M3
*T-T-T-M-T-V reported at http://groups.yahoo.com/group/TangoDJ/message/4588
 
==T-T-T-M-T-V==
reported at http://groups.yahoo.com/group/TangoDJ/message/4588

Latest revision as of 2015-05-31T20:48:57

Overview

This page lists some systems used to structure the music at a milonga. The data was added this page between 2008-12-02 and 2009-01-03 and mostly based on messages in the Yahoogroup TangoDJ.

See also

T-T-V-T-T-M

T3-T3-V3-T3-T3-M3

( 3 songs each )

T3-T3-V3-A1-T3-T3-M3-A1

T3-T3-V3-T3-T3-M3-T3-T3-A

  • Bob Barnes T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.

T4-T4-V3-T4-T4-M3

( 4 songs for tango, 3 songs for vals and milonga)

T4-T4-V4-T4-T4-M4

  • Miguel Jahnel: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
  • Victor Hugo Sanchez
  • Harry Wohlfart: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3

T4-T4-V4-T4-T4-M3

( 4 songs, except milonga: 3 songs)

T-T-V-T-T-M other

unknowkn or varying length (review at another time)

  • Stephen Brown : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
  • Dubravko Kakarigi : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.

T-T-V-T-M

T4-T4-V4-T4-M3

  • Andy Kamienski at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening

T-V-T-M

T3-V3-T3-M3

T5-V3-T5-M3

  • Miguel Jahnel in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4

T4-V3-T4-M3

  • Tine Herreman - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.

T-T-V-T-M

T4-T4-V3-T4-M3

  • Aydogan Arkis Loop this structure, 2-3 Electronico / alternative music per night.

T-V-T-T-M-T-T-M

T3-V3-T3-T3-M3-T3-T3-M3

T-T-T-M-T-V

reported at http://groups.yahoo.com/group/TangoDJ/message/4588