Copyright: Difference between revisions
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[[Category: | [[Category:Copyright|*]] | ||
==Overview== | |||
*[[Copyright collective]] | |||
**[[Performance rights organisation]] (PRO), [[CISAC]] | |||
*[[ | *** rights of composers and authors (lyricists) | ||
**[[ | **[[Reproduction rights organisation]] (RRO) [[IFRRO]] | ||
*** rights of composers and authors (lyricists) | |||
**[[ | |||
*** IFFRO represents owners of text and image based rights | *** IFFRO represents owners of text and image based rights | ||
**[[BIEM]] | **[[BIEM]] | ||
| Line 12: | Line 10: | ||
****"Performers in the UK receive royalties from record sales and radio airplay for '''50 years''' after a song is released." | ****"Performers in the UK receive royalties from record sales and radio airplay for '''50 years''' after a song is released." | ||
****"The British Phonographic Industry [IFPI member], which represents record companies, says it is unfair to have different rules for performers and composers. It is demanding parity with the US system, where material is protected for '''95 years''' after it is published." | ****"The British Phonographic Industry [IFPI member], which represents record companies, says it is unfair to have different rules for performers and composers. It is demanding parity with the US system, where material is protected for '''95 years''' after it is published." | ||
**[[ | **[[Sound recording copyright]], [[IFPI]] | ||
***[[Geneva Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms]] | ***[[Geneva Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms]] | ||
**[[Synchronization right]] | |||
==Table== | |||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
| Line 22: | Line 22: | ||
!recording/ publication | !recording/ publication | ||
|- | |- | ||
![[copyright term]] ( | ![[copyright term]] | ||
| | |||
* Berne Convention and TRIPS min.: 50 years | |||
* EU, ([[Copyright Term Directive (2006/116/EC)]]) and many other countries: 70 years | |||
after death of creators | |||
|50 / 95 years after publication | |50 / 95 years after publication | ||
| ? 50 / 95 years after publication | | ? 50 / 95 years after publication | ||
|- | |- | ||
!ISO or other identifier | !ISO ID or other [[identifier]] | ||
|[[ISWC]] (ISO 15707) | |[[ISWC]] (ISO 15707) | ||
|Matrix number(?) | |Matrix number(?) | ||
| Line 52: | Line 55: | ||
* 1942 | * 1942 | ||
| | | | ||
* [[ISRC]] ARF049600006 [ | * [[ISRC]] ARF049600006 [https://tango.info/x/cue/00724383741328-1.cue] | ||
* [[TINT]] [ | * [[TINT]] [https://tango.info/00724383741328-1-1 00724383741328-1-1] | ||
* [[EMI]] / [[DBN]] | * [[EMI]] / [[DBN]] | ||
|} | |} | ||
==Sale of rights== | |||
On http://www.todotango.com/ENGLISH/biblioteca/CRONICAS/ivette.asp it is reported that the team Costa-Roca sold rights to Augusto P. Berto. In Sadaic as of 2012 only Berto is shown. Does that mean that by selling rights one can extend the copyright protection term? | |||
==Recording copyright== | |||
* http://www.qobuz.com/ie-en/album/bien-pulenta-juan-darienzo/0828766934021 | |||
For track 1 it says "Copyright : (P) 1950 BMG Ariola Argentina S.A. (P) 1950 BMG Ariola Argentina S.A." | |||
That means, no new copyright for this product. | |||
==Links== | ==Links== | ||
Latest revision as of 2015-07-27T12:26:12
Overview
- Copyright collective
- Performance rights organisation (PRO), CISAC
- rights of composers and authors (lyricists)
- Reproduction rights organisation (RRO) IFRRO
- IFFRO represents owners of text and image based rights
- BIEM
- http://news.bbc.co.uk/2/hi/entertainment/4918214.stm - Q&A: Royalty rights for musicians
- "Performers in the UK receive royalties from record sales and radio airplay for 50 years after a song is released."
- "The British Phonographic Industry [IFPI member], which represents record companies, says it is unfair to have different rules for performers and composers. It is demanding parity with the US system, where material is protected for 95 years after it is published."
- http://news.bbc.co.uk/2/hi/entertainment/4918214.stm - Q&A: Royalty rights for musicians
- Sound recording copyright, IFPI
- Synchronization right
- Performance rights organisation (PRO), CISAC
Table
| type: | composition | performance | recording/ publication |
|---|---|---|---|
| copyright term |
after death of creators |
50 / 95 years after publication | ? 50 / 95 years after publication |
| ISO ID or other identifier | ISWC (ISO 15707) | Matrix number(?) | ISRC (ISO 3901) |
| intl organisation | CISAC | BIEM | IFPI |
| Argentine organisation | SADAIC | SADAIC | CAPIF |
| example |
|
|
Sale of rights
On http://www.todotango.com/ENGLISH/biblioteca/CRONICAS/ivette.asp it is reported that the team Costa-Roca sold rights to Augusto P. Berto. In Sadaic as of 2012 only Berto is shown. Does that mean that by selling rights one can extend the copyright protection term?
Recording copyright
For track 1 it says "Copyright : (P) 1950 BMG Ariola Argentina S.A. (P) 1950 BMG Ariola Argentina S.A."
That means, no new copyright for this product.
Links
- http://www.cisac.org/CisacPortal/afficherArticles.do?numRubrique=37
- http://www.biem.org/content.aspx?MenuItemId=33
- http://www.harryfox.com/public/mechanicalLicense.jsp
- http://www.copyright.gov/title17/92chap3.html
- http://www.wipo.int/treaties/en/ip/wppt/summary_wppt.html
- http://copyright.cornell.edu/resources/publicdomain.cfm