Copyright: Difference between revisions

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*[[w:Copyright collective]], [[w:List of copyright collection societies]]
*[[w:Copyright collective]], [[w:List of copyright collection societies]]
**[[w:Performance rights organisation]] (PRO), [[CISAC]]
**[[Performance rights organisation]] (PRO), [[CISAC]]
*** rights of composers and authors (lyricists)
*** rights of composers and authors (lyricists)
**[[Reproduction rights organisation]] (RRO) [[IFRRO]]
**[[Reproduction rights organisation]] (RRO) [[IFRRO]]
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**[[Sound recording copyright]], [[IFPI]]
**[[Sound recording copyright]], [[IFPI]]
***[[Geneva Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms]]
***[[Geneva Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms]]
*[[Synchronization right]]
**[[Synchronization right]]


==Table==
==Table==

Revision as of 2015-07-27T12:23:27

Overview

w:copyright

Table

type: composition performance recording/ publication
copyright term

after death of creators

50 / 95 years after publication ? 50 / 95 years after publication
ISO ID or other identifier ISWC (ISO 15707) Matrix number(?) ISRC (ISO 3901)
intl organisation CISAC BIEM IFPI
Argentine organisation SADAIC SADAIC CAPIF
example

Sale of rights

On http://www.todotango.com/ENGLISH/biblioteca/CRONICAS/ivette.asp it is reported that the team Costa-Roca sold rights to Augusto P. Berto. In Sadaic as of 2012 only Berto is shown. Does that mean that by selling rights one can extend the copyright protection term?


Recording copyright

For track 1 it says "Copyright : (P) 1950 BMG Ariola Argentina S.A. (P) 1950 BMG Ariola Argentina S.A."

That means, no new copyright for this product.

Links