2009-01-03 tanda schemes
some schemes for tandas
- T-T-V-T-T-M
- T3-T3-V3-T3-T3-M3 ( 3 songs each )
- Fredi Lienhardt http://groups.yahoo.com/group/TangoDJ/message/4589
- Tobias Conradi (User:Tobiasco/tandas, sometimes 2 for real non-tango, i.e. Salsa)
- Chris Jordan
- Ricardo Grünewald
- Steve Morrall (mostly)
- Njaal Bendixen (except for one neo tanda)
- Don Juan - Italy
- Wayne Jacobsen - if I sub an Alternative tanda it's A2
- Geoff Walker, but also T3-V3-T3-M3
- Gulden Ozen
- Michael Lavocah T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing
- David Chayes or also: T3-V3-T3-T3-M3-T3-T3-M3
- Jackie Ling Wong ... in my home community because of the number of followers. other times, i have used T4 T4 V3 T4 T4 M3. i have also experimented with T3 T3 V3 T3 M3 with some success if the community really likes milonga and vals. when i play alternative sets, i replace a traditional tanda... for example AltT3 T3 V3 T3 T3 M3 or T3 T3 AltV3 T3 T3 M3
- T3-T3-V3-A1-T3-T3-M3-A1
- T3-T3-V3-T3-T3-M3-T3-T3-A
- Bob Barnes T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.
- T4-T4-V3-T4-T4-M3 ( 4 songs for tango, 3 songs for vals and milonga)
- Tine Herreman http://groups.yahoo.com/group/TangoDJ/message/4586 , but also T4-V3-T4-M3
- Leonardo Beker-Gomez (mostly this scheme)
- Peter Wenger
- Michael Lavocah T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing.
- Ben Bogart (mostly, or I [Ben] conceive it as T4-T4-V3-T4-T4-M3), but certain venues or events lend themselves more to T3-T3-V3-T3-T3-M3.
- Ira Goldstein
- Lars Hellemo Mainly, also T4-V3-T4-M3
- T4-T4-V4-T4-T4-M4
- Miguel Jahnel: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
- Victor Hugo Sanchez
- Harry Wohlfart If the milongas are very fast or people seem not to be able to follow more milongas, I go back to 3 milongas
- T4-T4-V4-T4-T4-M3 ( 4 songs, except milonga: 3 songs)
- Thorsten Zörner http://groups.yahoo.com/group/TangoDJ/message/5052
- Sabah Chammas
- Tom Stermitz T4-T4-V4-T4-T4-M3 , A longer evening: T5-T5-V4-T5-T5-M3, a house party: T3-V3-T3-T3-M2 (approximately)
- unknowkn or varying length (review at another time)
- Stephen Brown : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
- Dubravko Kakarigi : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.
- T3-T3-V3-T3-T3-M3 ( 3 songs each )
- T-T-V-T-M
- T4-T4-V4-T4-M3
- Andy Kamienski at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening
- T4-T4-V4-T4-M3
- T-V-T-M
- T3-V3-T3-M3
- Geoff Walker but also T3-T3-V3-T3-T3-M3
- T5-V3-T5-M3
- Miguel Jahnel in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4
- T4-V3-T4-M3
- Tine Herreman - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.
- T3-V3-T3-M3
- T-T-V-T-M
- T4-T4-V3-T4-M3
- Aydogan Arkis Loop this structure, 2-3 Electronico / alternative music per night.
- T4-T4-V3-T4-M3
- other
- T3-V3-T3-T3-M3-T3-T3-M3
- David Chayes but also T3-T3-V3-T3-T3-M3
- T3-V3-T3-T3-M3-T3-T3-M3
- T-T-T-M-T-V reported at http://groups.yahoo.com/group/TangoDJ/message/4588