2009-01-03 tanda schemes: Difference between revisions

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==T-T-V-T-T-M==
==T-T-V-T-T-M==
*T3-T3-V3-T3-T3-M3 ( 3 songs each )
*T3-T3-V3-T3-T3-M3 ( 3 songs each )
** [[Chris Jordan]]
** [[Ricardo Grünewald]]
** [[Fredi Lienhardt]] http://groups.yahoo.com/group/TangoDJ/message/4589
** Don Juan - Italy
** [[Astrid Weiske]] mostly that scheme - replacing traditional tanda and play alternativ/electro depends on venue and atmosphare   
** [[Astrid Weiske]] mostly that scheme - replacing traditional tanda and play alternativ/electro depends on venue and atmosphare   
** [[Fredi Lienhardt]] http://groups.yahoo.com/group/TangoDJ/message/4589
** [[Tobias Conradi]] ([[User:Tobiasco/tandas]], sometimes 2 for real non-tango, i.e. Salsa)
** [[Tobias Conradi]] ([[User:Tobiasco/tandas]], sometimes 2 for real non-tango, i.e. Salsa)
** [[Chris Jordan]]
** [[Ricardo Grünewald]]
** [[Steve Morrall]] (mostly)
** [[Steve Morrall]] (mostly)
** [[Njaal Bendixen]] (except for one neo tanda)
** [[Njaal Bendixen]] (except for one neo tanda)
** Don Juan - Italy
** [[Wayne Jacobsen]] - if I sub an Alternative tanda it's A2
** [[Wayne Jacobsen]] - if I sub an Alternative tanda it's A2
** [[Geoff Walker]], but also T3-V3-T3-M3
** [[Geoff Walker]], but also T3-V3-T3-M3
** [[Gulden Ozen]]
** [[Gulden Ozen]], also T3-T3-V3-A1-T3-T3-M3-A1
** [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing
** [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing
** [[David Chayes]] or also: T3-V3-T3-T3-M3-T3-T3-M3
** [[David Chayes]] or also: T3-V3-T3-T3-M3-T3-T3-M3
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** [[Stephen Brown]] : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
** [[Stephen Brown]] : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
** [[Dubravko Kakarigi]] : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.
** [[Dubravko Kakarigi]] : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.
==T-T-V-T-M==
==T-T-V-T-M==
*T4-T4-V4-T4-M3
*T4-T4-V4-T4-M3

Revision as of 2009-01-03T18:51:45

some schemes for tandas

T-T-V-T-T-M

  • T3-T3-V3-T3-T3-M3 ( 3 songs each )
  • T3-T3-V3-A1-T3-T3-M3-A1
  • T3-T3-V3-T3-T3-M3-T3-T3-A
    • Bob Barnes T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.
  • T4-T4-V3-T4-T4-M3 ( 4 songs for tango, 3 songs for vals and milonga)
  • T4-T4-V4-T4-T4-M4
    • Miguel Jahnel: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
    • Victor Hugo Sanchez
    • Harry Wohlfart: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3
  • T4-T4-V4-T4-T4-M3 ( 4 songs, except milonga: 3 songs)
  • unknowkn or varying length (review at another time)
    • Stephen Brown : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
    • Dubravko Kakarigi : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.

T-T-V-T-M

  • T4-T4-V4-T4-M3
    • Andy Kamienski at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening

T-V-T-M

  • T3-V3-T3-M3
  • T5-V3-T5-M3
    • Miguel Jahnel in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4
  • T4-V3-T4-M3
    • Tine Herreman - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.

T-T-V-T-M

  • T4-T4-V3-T4-M3
    • Aydogan Arkis Loop this structure, 2-3 Electronico / alternative music per night.

other

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