2009-01-03 tanda schemes: Difference between revisions

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==T-T-V-T-T-M==
==T-T-V-T-T-M==
**T3-T3-V3-T3-T3-M3 ( 3 songs each )
*T3-T3-V3-T3-T3-M3 ( 3 songs each )
*** [[Fredi Lienhardt]] http://groups.yahoo.com/group/TangoDJ/message/4589
** [[Fredi Lienhardt]] http://groups.yahoo.com/group/TangoDJ/message/4589
*** [[Tobias Conradi]] ([[User:Tobiasco/tandas]], sometimes 2 for real non-tango, i.e. Salsa)
** [[Tobias Conradi]] ([[User:Tobiasco/tandas]], sometimes 2 for real non-tango, i.e. Salsa)
*** [[Chris Jordan]]
** [[Chris Jordan]]
*** [[Ricardo Grünewald]]
** [[Ricardo Grünewald]]
*** [[Steve Morrall]] (mostly)
** [[Steve Morrall]] (mostly)
*** [[Njaal Bendixen]] (except for one neo tanda)
** [[Njaal Bendixen]] (except for one neo tanda)
*** Don Juan - Italy
** Don Juan - Italy
*** [[Wayne Jacobsen]] - if I sub an Alternative tanda it's A2
** [[Wayne Jacobsen]] - if I sub an Alternative tanda it's A2
*** [[Geoff Walker]], but also T3-V3-T3-M3
** [[Geoff Walker]], but also T3-V3-T3-M3
*** [[Gulden Ozen]]
** [[Gulden Ozen]]
*** [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing
** [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing
*** [[David Chayes]] or also: T3-V3-T3-T3-M3-T3-T3-M3
** [[David Chayes]] or also: T3-V3-T3-T3-M3-T3-T3-M3
*** [[Jackie Ling Wong]] ... in my home community because of the number of followers. other times, i have used T4 T4 V3 T4 T4 M3. i have also experimented with T3 T3 V3 T3 M3 with some success if the community really likes milonga and vals. when i play alternative sets, i replace a traditional tanda... for example AltT3 T3 V3 T3 T3 M3 or T3 T3 AltV3 T3 T3 M3
** [[Jackie Ling Wong]] ... in my home community because of the number of followers. other times, i have used T4 T4 V3 T4 T4 M3. i have also experimented with T3 T3 V3 T3 M3 with some success if the community really likes milonga and vals. when i play alternative sets, i replace a traditional tanda... for example AltT3 T3 V3 T3 T3 M3 or T3 T3 AltV3 T3 T3 M3
**T3-T3-V3-A1-T3-T3-M3-A1
*T3-T3-V3-A1-T3-T3-M3-A1
*** [[Gulden Ozen]]
** [[Gulden Ozen]]
**T3-T3-V3-T3-T3-M3-T3-T3-A
*T3-T3-V3-T3-T3-M3-T3-T3-A
*** [[Bob Barnes]] T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.
** [[Bob Barnes]] T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.
**T4-T4-V3-T4-T4-M3 ( 4 songs for tango, 3 songs for vals and milonga)
*T4-T4-V3-T4-T4-M3 ( 4 songs for tango, 3 songs for vals and milonga)
*** [[Tine Herreman]] http://groups.yahoo.com/group/TangoDJ/message/4586 , but also T4-V3-T4-M3
** [[Tine Herreman]] http://groups.yahoo.com/group/TangoDJ/message/4586 , but also T4-V3-T4-M3
*** [[Leonardo Beker-Gomez]] (mostly this scheme)
** [[Leonardo Beker-Gomez]] (mostly this scheme)
*** [[Peter Wenger]]
** [[Peter Wenger]]
*** [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing.
** [[Michael Lavocah]] T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing.
*** [[Ben Bogart]] (mostly, or I [Ben] conceive it as T4-T4-V3-T4-T4-M3), but certain venues or events lend themselves more to T3-T3-V3-T3-T3-M3.  
** [[Ben Bogart]] (mostly, or I [Ben] conceive it as T4-T4-V3-T4-T4-M3), but certain venues or events lend themselves more to T3-T3-V3-T3-T3-M3.  
*** [[Ira Goldstein]]
** [[Ira Goldstein]]
*** [[Lars Hellemo]] Mainly, also T4-V3-T4-M3
** [[Lars Hellemo]] Mainly, also T4-V3-T4-M3
**T4-T4-V4-T4-T4-M4
*T4-T4-V4-T4-T4-M4
***[[Miguel Jahnel]]: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
**[[Miguel Jahnel]]: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
***[[Victor Hugo Sanchez]]
**[[Victor Hugo Sanchez]]
***[[Harry Wohlfart]]: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3
**[[Harry Wohlfart]]: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3
**T4-T4-V4-T4-T4-M3 ( 4 songs, except milonga: 3 songs)
*T4-T4-V4-T4-T4-M3 ( 4 songs, except milonga: 3 songs)
***[[Thorsten Zörner]] http://groups.yahoo.com/group/TangoDJ/message/5052
**[[Thorsten Zörner]] http://groups.yahoo.com/group/TangoDJ/message/5052
***[[Sabah Chammas]]
**[[Sabah Chammas]]
***[[Tom Stermitz]] T4-T4-V4-T4-T4-M3 , A longer evening: T5-T5-V4-T5-T5-M3, a house party: T3-V3-T3-T3-M2 (approximately)
**[[Tom Stermitz]] T4-T4-V4-T4-T4-M3 , A longer evening: T5-T5-V4-T5-T5-M3, a house party: T3-V3-T3-T3-M2 (approximately)
***[[Alex Long]] T4-T4-V4-T4-T4-M3; small or house milongas: T3-T3-V3-T3-T3-M2; Primarily Trad/Guardia Vieja, but with a sizeable collection of Alt/Nuevo if the event merits it ... Cortinas always - 25-45 seconds
**[[Alex Long]] T4-T4-V4-T4-T4-M3; small or house milongas: T3-T3-V3-T3-T3-M2; Primarily Trad/Guardia Vieja, but with a sizeable collection of Alt/Nuevo if the event merits it ... Cortinas always - 25-45 seconds
** unknowkn or varying length (review at another time)
* unknowkn or varying length (review at another time)
*** [[Stephen Brown]] : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
** [[Stephen Brown]] : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
*** [[Dubravko Kakarigi]] : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.
** [[Dubravko Kakarigi]] : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.
==T-T-V-T-M==
==T-T-V-T-M==
**T4-T4-V4-T4-M3
*T4-T4-V4-T4-M3
***[[Andy Kamienski]] at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening
**[[Andy Kamienski]] at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening
==T-V-T-M==
==T-V-T-M==
**T3-V3-T3-M3
*T3-V3-T3-M3
***[[Geoff Walker]] but also T3-T3-V3-T3-T3-M3
**[[Geoff Walker]] but also T3-T3-V3-T3-T3-M3
**T5-V3-T5-M3  
*T5-V3-T5-M3  
***[[Miguel Jahnel]] in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4
**[[Miguel Jahnel]] in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4
**T4-V3-T4-M3  
*T4-V3-T4-M3  
***[[Tine Herreman]] - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.
**[[Tine Herreman]] - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.
==T-T-V-T-M==
==T-T-V-T-M==
**T4-T4-V3-T4-M3
*T4-T4-V3-T4-M3
***[[Aydogan Arkis]] Loop this structure, 2-3 Electronico / alternative music per night.
**[[Aydogan Arkis]] Loop this structure, 2-3 Electronico / alternative music per night.
==other==
==other==
**T3-V3-T3-T3-M3-T3-T3-M3
*T3-V3-T3-T3-M3-T3-T3-M3
***David Chayes but also T3-T3-V3-T3-T3-M3
**David Chayes but also T3-T3-V3-T3-T3-M3
**T-T-T-M-T-V reported at http://groups.yahoo.com/group/TangoDJ/message/4588
*T-T-T-M-T-V reported at http://groups.yahoo.com/group/TangoDJ/message/4588

Revision as of 2008-12-05T16:35:43

some schemes for tandas

T-T-V-T-T-M

  • T3-T3-V3-T3-T3-M3 ( 3 songs each )
  • T3-T3-V3-A1-T3-T3-M3-A1
  • T3-T3-V3-T3-T3-M3-T3-T3-A
    • Bob Barnes T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.
  • T4-T4-V3-T4-T4-M3 ( 4 songs for tango, 3 songs for vals and milonga)
  • T4-T4-V4-T4-T4-M4
    • Miguel Jahnel: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
    • Victor Hugo Sanchez
    • Harry Wohlfart: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3
  • T4-T4-V4-T4-T4-M3 ( 4 songs, except milonga: 3 songs)
  • unknowkn or varying length (review at another time)
    • Stephen Brown : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
    • Dubravko Kakarigi : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.

T-T-V-T-M

  • T4-T4-V4-T4-M3
    • Andy Kamienski at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening

T-V-T-M

  • T3-V3-T3-M3
  • T5-V3-T5-M3
    • Miguel Jahnel in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4
  • T4-V3-T4-M3
    • Tine Herreman - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.

T-T-V-T-M

  • T4-T4-V3-T4-M3
    • Aydogan Arkis Loop this structure, 2-3 Electronico / alternative music per night.

other