2009-01-03 tanda schemes

some schemes for tandas

• T-T-V-T-T-M
  • T3-T3-V3-T3-T3-M3 ( 3 songs each )
    • Fredi Lienhardt http://groups.yahoo.com/group/TangoDJ/message/4589
    • Tobias Conradi (User:Tobiasco/tandas, sometimes 2 for real non-tango, i.e. Salsa)
    • Chris Jordan
    • Ricardo Grünewald
    • Steve Morrall (mostly)
    • Njaal Bendixen (except for one neo tanda)
    • Don Juan - Italy
    • Wayne Jacobsen - if I sub an Alternative tanda it's A2
    • Geoff Walker, but also T3-V3-T3-M3
    • Gulden Ozen
    • Michael Lavocah T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing
    • David Chayes or also: T3-V3-T3-T3-M3-T3-T3-M3
    • Jackie Ling Wong ... in my home community because of the number of followers. other times, i have used T4 T4 V3 T4 T4 M3. i have also experimented with T3 T3 V3 T3 M3 with some success if the community really likes milonga and vals. when i play alternative sets, i replace a traditional tanda... for example AltT3 T3 V3 T3 T3 M3 or T3 T3 AltV3 T3 T3 M3
  • T3-T3-V3-A1-T3-T3-M3-A1
    • Gulden Ozen
  • T3-T3-V3-T3-T3-M3-T3-T3-A
    • Bob Barnes T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.
  • T4-T4-V3-T4-T4-M3 ( 4 songs for tango, 3 songs for vals and milonga)
    • Tine Herreman http://groups.yahoo.com/group/TangoDJ/message/4586 , but also T4-V3-T4-M3
    • Leonardo Beker-Gomez (mostly this scheme)
    • Peter Wenger
    • Michael Lavocah T-T-V3-T-T-M3, where T is either T3 or T4, this depends on where I am playing.
    • Ben Bogart (mostly, or I [Ben] conceive it as T4-T4-V3-T4-T4-M3), but certain venues or events lend themselves more to T3-T3-V3-T3-T3-M3.
    • Ira Goldstein
    • Lars Hellemo Mainly, also T4-V3-T4-M3
  • T4-T4-V4-T4-T4-M4
    • Miguel Jahnel: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
    • Victor Hugo Sanchez
    • Harry Wohlfart: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3
  • T4-T4-V4-T4-T4-M3 ( 4 songs, except milonga: 3 songs)
    • Thorsten Zörner http://groups.yahoo.com/group/TangoDJ/message/5052
    • Sabah Chammas
    • Tom Stermitz T4-T4-V4-T4-T4-M3 , A longer evening: T5-T5-V4-T5-T5-M3, a house party: T3-V3-T3-T3-M2 (approximately)
  • unknowkn or varying length (review at another time)
    • Stephen Brown : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
    • Dubravko Kakarigi : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.
• T-T-V-T-M
  • T4-T4-V4-T4-M3
    • Andy Kamienski at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening
• T-V-T-M
  • T3-V3-T3-M3
    • Geoff Walker but also T3-T3-V3-T3-T3-M3
  • T5-V3-T5-M3
    • Miguel Jahnel in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4
  • T4-V3-T4-M3
    • Tine Herreman - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.
• T-T-V-T-M
  • T4-T4-V3-T4-M3
    • Aydogan Arkis Loop this structure, 2-3 Electronico / alternative music per night.
• other
  • T3-V3-T3-T3-M3-T3-T3-M3
    • David Chayes but also T3-T3-V3-T3-T3-M3
• T-T-T-M-T-V reported at http://groups.yahoo.com/group/TangoDJ/message/4588