Copyright: Difference between revisions
Jump to navigation
Jump to search
No edit summary |
(The British Phonographic Industry, which represents record companies, says it is unfair to have different rules for performers and composers. It is demanding parity with the US system, where material) |
||
| Line 14: | Line 14: | ||
**http://news.bbc.co.uk/2/hi/entertainment/4918214.stm - Q&A: Royalty rights for musicians | **http://news.bbc.co.uk/2/hi/entertainment/4918214.stm - Q&A: Royalty rights for musicians | ||
***"Performers in the UK receive royalties from record sales and radio airplay for 50 years after a song is released." | ***"Performers in the UK receive royalties from record sales and radio airplay for 50 years after a song is released." | ||
***"The British Phonographic Industry, which represents record companies, says it is unfair to have different rules for performers and composers. It is demanding parity with the US system, where material is protected for 95 years after it is published." | |||
Revision as of 2008-08-28T17:02:23
- w:Copyright collective, w:List of copyright collection societies
- w:Performance rights organisation (PRO), CISAC
- rights of composers and authors (lyricists) in most countries expire 70 years after their death
- w:Reproduction rights organisation (RRO) IFRRO
- w:Performance rights organisation (PRO), CISAC
- other, needs sorting into the above scheme
- IFPI
- w:Sound recording copyright
- http://news.bbc.co.uk/2/hi/entertainment/4918214.stm - Q&A: Royalty rights for musicians
- "Performers in the UK receive royalties from record sales and radio airplay for 50 years after a song is released."
- "The British Phonographic Industry, which represents record companies, says it is unfair to have different rules for performers and composers. It is demanding parity with the US system, where material is protected for 95 years after it is published."