Jorge Finkielman: Difference between revisions
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http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2001/04/msg00110.html |
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*about: Héctor Lorenzo Lucci restorations of Juan Maglio (Pacho) for Columbia | *about: Héctor Lorenzo Lucci restorations of Juan Maglio (Pacho) for Columbia | ||
**http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2006/12/msg00093.html | **http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2006/12/msg00093.html | ||
*about: Silent era | |||
**http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2001/04/msg00110.html |
Revision as of 2008-08-28T15:36:33
- articles
- Rodolfo Biagi's discography
- The lost recordings of Mercedes Carné and Carlos Di Sarli
- Carlos Di Sarli discography
- Carlos Gardel and his guitar players
- Osvaldo Fresedo (the acoustic Victor recordings, 1922 ~ 1925)
- Osvaldo Fresedo's early recordings for Max Glücksmann (1925-1926)
- The film music recorded by Roberto Firpo
- Ronda musical de las Américas (1945)
- The lost recordings of Enrique Delfino (Delfy)
- about: Héctor Lorenzo Lucci restorations of Juan Maglio (Pacho) for Columbia
- about: Silent era