Jorge Finkielman: Difference between revisions
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*Osvaldo Fresedo (the acoustic Victor recordings, 1922 ~ 1925) | *Osvaldo Fresedo (the acoustic Victor recordings, 1922 ~ 1925) | ||
**http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2002/11/msg00060.html | **http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2002/11/msg00060.html | ||
*Osvaldo Fresedo's early recordings for Max Glücksmann (1925-1926) | |||
**http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2003/03/msg00173.html | |||
*The film music recorded by Roberto Firpo | *The film music recorded by Roberto Firpo | ||
**http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2002/11/msg00156.html | **http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2002/11/msg00156.html | ||
*Ronda musical de las Américas (1945) | *Ronda musical de las Américas (1945) | ||
**http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2002/11/msg00195.html | **http://palimpsest.stanford.edu/byform/mailing-lists/amia-l/2002/11/msg00195.html |
Revision as of 2008-08-28T14:09:56
- articles
- Rodolfo Biagi's discography
- The lost recordings of Mercedes Carné and Carlos Di Sarli
- Carlos Di Sarli discography
- Carlos Gardel and his guitar players
- Osvaldo Fresedo (the acoustic Victor recordings, 1922 ~ 1925)
- Osvaldo Fresedo's early recordings for Max Glücksmann (1925-1926)
- The film music recorded by Roberto Firpo
- Ronda musical de las Américas (1945)