Triplet-equal music performance: Difference between revisions
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** 4552 B + 4972, 4255/1, ID 1697.2 | ** 4552 B + 4972, 4255/1, ID 1697.2 | ||
* La charlatana, 1932-12-05, ODEON, E.Fama | * La charlatana, 1932-12-05, ODEON, E.Fama | ||
* —, 7304, ID 2513.1 | ** —, 7304, ID 2513.1 | ||
* 4834 A + 5109, 7304/1, ID 2513.2 | ** 4834 A + 5109, 7304/1, ID 2513.2 | ||
* La cumparsita 1929-04-17 | |||
* La cumparsita 1933-02-14 | |||
== See also == | == See also == | ||
* [[tango.info performances]] | * [[tango.info performances]] |
Revision as of 2011-04-09T16:30:22
Most music performances can be identified by the triplet:
- Composition
- Performers
- Date
There are some instances where such a triplet identifies more than one music performance.
Some examples, taken from the Francisco Canaro discography by Christoph Lanner:
- Flores secas, 1929-03-01, ODEON, Charlo
- 4519 A, 3786, ID 1596
- 16220 B, 3790, ID 1600
- Jazmin del pais, 1930-11-21, ODEON, Charlo
- 4802 B, 6378, ID 2125.1
- 4697 B, 6378/1, ID 2125.2
- 16256 B, 6386, ID 2133
- La brisa, 1929-06-19, ODEON, Charlo
- —, 4255, ID 1697.1
- 4552 B + 4972, 4255/1, ID 1697.2
- La charlatana, 1932-12-05, ODEON, E.Fama
- —, 7304, ID 2513.1
- 4834 A + 5109, 7304/1, ID 2513.2
- La cumparsita 1929-04-17
- La cumparsita 1933-02-14