![img 02480002745457](/x/graphic/notavailable.50x50.jpg) | El triunfo | Z0000003303 | tango | Francisco Canaro | - | zxx | 1929-11-13 | | 02480002745457-2-1 |
![img 02480002745440](/x/graphic/notavailable.50x50.jpg) | El triunfo | Z0000003303 | tango | Francisco Canaro | - | zxx | 1929-11-13 | | 02480002745440-2-1 |
![img 07798108080972](/x/product/07798108080972/graphic/07798108080972.front._tistandard_.50x50.jpg) | El triunfo | Z0000003303 | tango | Francisco Canaro | - | zxx | 1929-11-13 | 03:27 | 07798108080972-2-9 |
![img 02480002040415](/x/graphic/notavailable.50x50.jpg) | El triunfo | Z0000003303 | tango | Francisco Canaro | - | zxx | 1929-11-13 | 03:24 | 02480002040415-1-14 |
![img 02480002745433](/x/graphic/notavailable.50x50.jpg) | El triunfo | Z0000003303 | tango | Francisco Canaro | - | zxx | 1929-11-13 | | 02480002745433-2-1 |
![img 04988006679276](/x/product/04988006679276/graphic/04988006679276.front._tistandard_.50x50.jpg) | El triunfo | Z0000003303 | tango | Francisco Canaro | - | zxx | 1929-11-13 | 03:26 | 04988006679276-2-6 |
![img 02480002041290](/x/graphic/notavailable.50x50.jpg) | El vals del amor | | vals | Francisco Canaro | Charlo | spa | 1929-11-13 | 03:07 | 02480002041290-1-1 |
![img 02480002040415](/x/graphic/notavailable.50x50.jpg) | El vals del amor | | vals | Francisco Canaro | Charlo | spa | 1929-11-13 | 03:08 | 02480002040415-1-15 |
![img 08427328130325](/x/product/08427328130325/graphic/08427328130325.front._tistandard_.50x50.jpg) | La chica del diecisiete | T0410014935 | paso doble | | Libertad Lamarque | spa | 1929-11-13 | 02:22 | 08427328130325-1-13 |
![img 00743218593529](/x/product/00743218593529/graphic/00743218593529.front._tistandard_.50x50.jpg) | La chica del diecisiete | T0410014935 | paso doble | | Libertad Lamarque | spa | 1929-11-13 | 02:29 | 00743218593529-1-5 |
![img 02480002102908](/x/product/02480002102908/graphic/02480002102908.front._tistandard_.50x50.jpg) | La chica del diecisiete | T0410014935 | paso doble | | Libertad Lamarque | spa | 1929-11-13 | 02:26 | 02480002102908-1-15 |
![img 05204833005149](/x/graphic/notavailable.50x50.jpg) | La chica del diecisiete | T0410014935 | paso doble | | Libertad Lamarque | spa | 1929-11-13 | 02:30 | 05204833005149-1-12 |
![img 07798108080323](/x/product/07798108080323/graphic/07798108080323.front._tistandard_.50x50.jpg) | La chica del diecisiete | T0410014935 | paso doble | | Libertad Lamarque | spa | 1929-11-13 | 02:25 | 07798108080323-1-21 |
![img 02480002101123](/x/graphic/notavailable.50x50.jpg) | La chica del diecisiete | T0410014935 | paso doble | -unspecified guitars- | Libertad Lamarque | spa | 1929-11-13 | 02:28 | 02480002101123-1-102 |
![img 02480002101222](/x/graphic/notavailable.50x50.jpg) | Mocito guapo | Z0000052856 | tango | -unspecified guitars- | Libertad Lamarque | spa | 1929-11-13 | 02:24 | 02480002101222-1-124 |
![img 02480002782117](/x/product/02480002782117/graphic/02480002782117.front._tistandard_.50x50.jpg) | Porque soy reo | T0370031961 | tango | Guillermo Barbieri, José María Aguilar | Carlos Gardel | spa | 1929-11-13 | | 02480002782117-2-1 |
![img 00724349998025](/x/product/00724349998025/graphic/00724349998025.front._tistandard_.50x50.jpg) | Porque soy reo? | T0370031961 | tango | Guillermo Barbieri, José María Aguilar | Carlos Gardel | spa | 1929-11-13 | 02:20 | 00724349998025-1-14 |
![img 02480002029373](/x/product/02480002029373/graphic/02480002029373.front._tistandard_.50x50.jpg) | Por qué soy reo | T0370031961 | tango | Guillermo Barbieri, José María Aguilar | Carlos Gardel | spa | 1929-11-13 | | 02480002029373-1-13 |
![img 05204833007600](/x/product/05204833007600/graphic/05204833007600.front._tistandard_.50x50.jpg) | Por qué soy reo | T0370031961 | tango | Guillermo Barbieri, José María Aguilar | Carlos Gardel | spa | 1929-11-13 | 02:21 | 05204833007600-1-18 |
![img 02480002101222](/x/graphic/notavailable.50x50.jpg) | Por qué soy reo | T0370031961 | tango | Guillermo Barbieri, José María Aguilar | Carlos Gardel | spa | 1929-11-13 | 02:28 | 02480002101222-3-129 |
![img 02480002101420](/x/graphic/notavailable.50x50.jpg) | Por qué soy reo | T0370031961 | tango | Guillermo Barbieri, José María Aguilar | Carlos Gardel | spa | 1929-11-13 | | 02480002101420-1-642 |
![img 08427328130158](/x/product/08427328130158/graphic/08427328130158.front._tistandard_.50x50.jpg) | Por qué soy reo | T0370031961 | tango | Guillermo Barbieri, José María Aguilar | Carlos Gardel | spa | 1929-11-13 | 02:20 | 08427328130158-1-5 |
![img 02480002112020](/x/graphic/notavailable.50x50.jpg) | Pretenciosa | T0370083263 | tango | Francisco Canaro | Ada Falcón | spa | 1929-11-13 | 02:57 | 02480002112020-1-7 |
![img 02480002040415](/x/graphic/notavailable.50x50.jpg) | Ríe, payaso, ríe | | vals | Francisco Canaro | Charlo | spa | 1929-11-13 | 03:11 | 02480002040415-1-16 |
![img 02480002040415](/x/graphic/notavailable.50x50.jpg) | Sueño con él | | vals | Francisco Canaro | Ada Falcón | spa | 1929-11-13 | 02:48 | 02480002040415-1-17 |